Today, I am sharing an excerpt as part of the Random Things Blog Tour for Too Close by Natalie Daniels, out now in both Kindle and Paperback formats and also available as an audiobook. Be sure to check out the other tour spots to find out more!
It’s odd because everyone always calls her beautiful. Her beauty has
become a fact; it has been said enough times for any doubt to have been
forgotten. But the first time I saw her in the park all those years ago,
I have to say she didn’t strike me that way; her beauty took a while to
floor me. She was small with wispy blonde hair and pale blue veins that
ran down her temples. She had dark bags under her dark eyes – which I
know is just called parenting – and from a certain angle her freckled
nose looked like someone had given her a good punch. She had a peculiar
way of looking at you from the corners of those big dark brown eyes. And
she blinked too much. All in all, she struck me as an anxious sort of
person. No, I wouldn’t have called her beautiful at all. Not then.
been late picking Annie up from nursery and had found my daughter
sitting alone on the bench underneath the empty coat hooks, holding a
wooden lollipop stick with a scrunched- up piece of red tissue bodged on
to the end.
‘Darling, sorry I’m late,’ I said
sitting down next to her, glad to get my breath back. ‘What have you
made?’ I asked, looking at the lolly stick in her hand. Karl was better
at this sort of thing than me; every shite offering they brought home
from school he marvelled at as if the kids were little Leonardos. Left
to his own devices, the house would look like one of those hoarder’s
places you see on TV, full of clay rubbish and splodges of paint on
‘It’s a poppy.’
Of course it was. Remembrance Day was coming up and Annie’s nursery never missed a chance to get creative.
‘That’s lovely! Do you know why you’ve made it? Who is it for?’ I might be late, forget carol concerts and barbecue days, but my God, I do a bit of educating when I can.
She looked up at me and passed me the lolly stick. ‘For you?’
‘No,’ I said, ‘I mean, why have you made it? Who is it for ?’
‘It’s for remembering,’ she said.
‘That’s right.’ She was a genius, my child. ‘Remembering who?’
had no idea. She shook her head, her cherubic curls bouncing this way
and that. Not for the first time I marvelled that such a sweet being
came from me.
‘It’s for all the soldiers who died in the
war,’ I said, sounding incongruously cheerful about it. She looked up at
me, eyes wide with wonder, lips opening in surprise as the mini cogs in
her brain whirred. She frowned and turned slowly to examine the wall
behind her, reaching out her little fingers to gingerly touch the bumps
of roughly applied plaster beneath the clothes pegs.
‘In this wall?’ she asked.
Sometimes she was so adorable I could eat her. ‘Let’s get some sweeties and go to the park!’ I said.
Annie had scooted ahead, cheeks full of Smarties. She was a kamikaze
kind of child. By the time I caught up she was at the top of the slide,
bottom lip out, face brimming with misery, staring down at the brightly
coloured trail of Smarties bouncing off the ladder and on to the spongy
tarmac. Another little girl was standing at the bottom of the ladder
picking up the Smarties and popping them into her mouth as fast as she
‘No! No! No!’ Annie cried, furious at the nasty little opportunist below her. The mother was oblivious to the scene; she was busy making something on the bench with an older girl. I started picking up the Smarties and was shortly joined by the mother, who was looking down at her fat-cheeked child and making the right remonstrating noises.
‘Naughty, Polly. They are not yours.’
I’ll tell you something peculiar: I remember there was something about her voice that put me on alert; it wasn’t her tone, which was low and calm, or what she said, which was nothing unusual. It was a more intangible feeling: there was something about it that I found deeply comforting yet deeply disturbing at the same time. Church bells do that for me too. I’m not making any sense, am I?
many years, I would remember that day as a fine example of how we must
not trust our first impressions, how foxing they are. Because the truth
was, just at the very beginning of it all, I felt an inexplicable and
powerful aversion to her, like a tug from the wings, as if I were
receiving a warning signal from the great puppet master.
made polite child-soothing conversation for a while and were then
forced to sit together on the bench as the three girls struck up an
immediate kinship and went off to look for snails, dropping their
grievances with that enviable childhood ease.
‘Do you live nearby?’ I asked.
‘Just beyond the swimming pool,’ she said, nodding vaguely in the direction. ‘We’ve just moved in.’
‘Oh! Which street?’
‘Really? Which end?’
And so we discovered that we were neighbours. Shelived just around the corner from us – only four doors away. In fact, I could see her house from the back windows of my own. Our conversation shifted then, as it became evident our lives would be impacting on each other’s – screaming children, rows in the garden, perhaps noisy once- in- a- blue-moon lovemaking on a hot summer night. Why do we women feel impelled to forge intimacies? Two men probably wouldn’t have struck up a conversation at all.
opened Annie’s snack box by now and was picking at some soggy
strawberries as our talk moved smoothly from our surroundings and our
progeny to ourselves.
‘What do you do?’ she asked me.
‘I write,’ I said.
without a pause or a further question she said, ‘I write too!’
Something about the way she said it, so rapid a response, seemed rather
competitive – I got that tug again.
‘What do you write?’ I asked, offering her a sweating strawberry which she declined.
‘Poetry.’ I looked at her afresh. That was interesting; no one admits to writing poetry. ‘When inspiration strikes,’ she added.
Well, excuse me for being a snob but that is not a writer. That is a dabbler. A writer doesn’t have the luxury of waiting for inspiration; a writer plods on regardless, a writer takes the gamble, lives in penury, gives every- thing up to be a slave to her art. I didn’t let my feelings show, but I suppose in my own way I went straight for the jugular.
‘Do you make a living from it?’
my point: she was not a writer. (We writers have to do any writing we
can to fund the writing we want – I ghost-write, I interview, I
copy-edit, in order to
afford the time to write books that no one wants to publish.)
rather, I used to run galleries. You’ve got some . . .’ She gestured
that I had some strawberry juice on my chin. I wiped it. She shook her
head and gestured again so I wiped it again.
And then – perhaps you’ll disagree, perhaps you’ll think this is what any mother does – she did something that seemed strangely intimate to me: she licked her finger and gently started to rub my chin with it. And as she did so – it was a stubborn stain – I couldn’t help but take her in: the freckles, the contrast of the blonde hair with those dark eyes. I was just going to ask her about this gallery business when she said, ‘You smell really good. What perfume are you wearing?’
Again, oddly intimate, no? But I’m a sucker for a compliment and I must have visibly brightened.
‘Thank you! It’s Jo Malone: Lime Basil and Mandarin.’
She smiled. She had good teeth, neat and white, like an advert mouth. ‘It’s gorgeous.’
thought so too but it was very nice to have it pointed out. Looking
back, it was probably the compliments that blinkered me to those
palpable warning signs. How
pathetic is that?
‘What does your partner do?’ she asked me.
‘He’s a consultant in communications,’ I said, which never fails to shut people up.
‘What about your husband?’ I asked, after the pause.
‘Wife, actually. She works in TV.’
that shut me up. She was a lesbian. How refreshing. This neighbourhood
needed a bit of diversity wherever itcould find it; the school had got
whiter and blonder with each passing year, the parents more homogeneous –
a growing number of men in salmon cords with hearty laughs and women with salon-shiny hair being walked by dogs that didn’t moult. I immediately wanted to ask her about the girls: who was the biological mother? Who was the father? What do they call you? All those obvious questions that no one likes to ask but everyone wants to know. Then all the unobvious questions I wanted to ask, like how she knew she was gay. I was intrigued. I’d always been straight as a die. The idea of making love to a woman had never held any allure for me. I loved men. I loved their bodies, I loved their differences, I loved their masculinity. But I didn’t ask her anything, of course; I tried to give the impression of being cool.
like your hair . . . your fringe,’ she said. ‘You’ll have to tell me
where a good hairdresser’s is around here . . . I don’t know the area at
all.’ She was patting her wispy locks, looking at me in that sideways
way. I have to say, I’d only just had my hair cut and was feeling rather
self- conscious about it. Potentially I looked a bit 1974 – and not in a
good way. The hairdresser had been somewhat gung- ho and on leaving the
salon, I’d caught a glimpse of myself from the side with what looked
like a well-groomed guinea pig perching on my forehead.
There’s a good place up by the library,’ I said, leaning over to get a
better view of Annie, who was roaming about in a way that made me
suspicious – she
had been known to squat down for a crap in the bushes. She’s too feral, that child of mine.
‘I’m Ness, by the way!’ she said, holding out her hand.
‘I’m Connie,’ I replied, shaking hers.
And so the bond was made.
This all seems a very long time ago now. Six long years ago; like a different lifetime, back in the days when I would pass homeless people in the street curled up in urine-drenched corners and carelessly think how on earth did your life go so wrong? Well, now I know. The answer is:
quite easily, as it turns out. You’d think it might be a slow process of deterioration but the truth is it can turn in a moment, maybe even on a stranger’s whim – with a neighbour accepting an offer on a house in Buxton Road, for example.
How close is too close?
Connie and Ness met in the park while their children played. As they talked, they realised they were neighbours. Perhaps it was only natural that they and their families would become entirely inseparable.
But when Ness’s marriage ends in a bitter divorce, she is suddenly at Connie’s house all the time. Connie doesn’t have a moment to herself, no time alone with her husband, not a second to chat to her kids.
It’s all too much. Something has to give.
Connie has woken up in a psychiatric hospital. They say she committed a terrible crime but she says she can’t remember a thing.
Natalie Daniels is the pseudonym for screenwriter, author and actress Clara
Salaman who you may recognise as DS Claire Stanton from The Bill.
She lives in London and in Northern Spain.